Back in August I got a call about a special edition of BBC Radio 3’s The Verb being recorded at the ARC in Stockton. ‘Do you have anything you’re working on at the moment that might be suitable for us?’, asked Producer Erin. ‘Yes’ I replied, ‘absolutely’. And thus I was booked as a guest.
Let’s get one thing straight before I continue, ‘lying’ is a very strong word. But my ‘yes absolutely’ may possibly have given an impression that wasn’t entirely accurate. I had nothing written down, but thinking … I was way ahead in that department!
For a while I had been harbouring an idea about a hoader and her relationship with a woman who has lost her home and family in a house fire (cheery, eh). A woman with everything and a woman with nothing – how they might be the solution to each others problems.
For a longer while I have been skirting around the idea of writing a solo show that I would also perform. Recent projects like Come To Where I’m From and my first appearance on The Verb with Yackety Yak have made me realise that maybe this isn’t such an impossible dream.
During rehearsals for Poppyfield I broached the idea with director Rosie Kellagher, to see if she’d be interested in coming aboard. ‘Written by and starring’ is veering far enough in to Kenneth Branagh territory without adding ‘and directed by’ to the list. Another perspective would be an absolute must.
If anything, the call from The Verb simply spurred me in to action. Writing the solo show must, for now, run alongside my other projects when I have the time to spare. Of course, the risk is that nothing ever gets done. But this gave me a reason to get started and a deadline – there’s nothing more motivating than the thought of debuting your new work on national radio!
The recording was on Wednesday at the ARC. A couple of days before Rosie and I spent some time working on my performance – our relationship to this point has been director/writer so it was a bit weird being directed by her as an actor. But once I got over my self-consciousness, it was a productive session. And it turns out I was able to perform better when I had a pencil in my hand that I was able to point for emphasis. Of course, pointing-pencil will be lost on the listener but it became indispensable. It went AWOL, briefly, on Tuesday but turned up again in time for the show – phew.
The night itself was very enjoyable. Ian McMillan is a great host and got the crowd on side straight away. The show was recorded ‘as live’ and I think sitting on a stage, having an audience there to perform to, really helped – the ‘look-at-me’ show-off part of me kicked in and kept any crippling nerves at bay. I was more anxious for the interview part than the performance, and while I can’t now remember any of my answers I know there was no repeat of the ‘as’twere’ debacle from last time!
- In other news … Ian McMillan was kind enough to ask me about my BBC Radio 4 Afternoon Play Dolly Would during my Verb interview. Bat-eared listeners (surely the aural equivalent to eagle-eyed viewers) will hear that the broadcast date is confirmed as Wed 4 Jan @ 2.15pm.
- In other other news … rehearsals are well underway for When It Falls, my contribution to Forward Theatre Project’s forthcoming Scratch My City event at the Soho Theatre, London on Sunday. Starring Esther Smith (most recently seen in the critically acclaimed Many Moons at Theatre503) and directed by Jacqui Honess-Martin, the play is inspired by designs by Left Luggage Theatre. Click [here] for more details and how to book.